Sometime in late 2006 or early 2007, Suzanne Collins was wrapping up work on Gregor and the Code of Claw, the fifth and final novel in The Underland Chronicles. The fantasy series follows a young New Yorker who discovers a hidden civilization beneath the city and ultimately finds himself grappling with war, propaganda, and violence — subjects Collins spent five books exploring for younger readers. Exhausted and presumably looking to decompress, she began scrolling through TV stations while lying in bed at night.
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